Frankly, Moore is the reason you usually see former cast-members making cameos in big budget remakes of old properties, like the ailing Jonathan Frid briefly appearing in Tim Burton’s Dark Shadows. It is a way of signaling to fans that the old guard was respected by the new production, unlike The Legend of the Lone Ranger, which flopped hard, partly because the fanbase sided with Moore. Producer Jennifer Severin never got that memo. Instead, she wants to ban Garrison from all things Blue Falcon at the Mega Mondo Pop Comic ConApalooza, where her new, darker Blue Falcon movie will premiere.
Naturally, when a giant robot modeled on the Blue Falcon’s super-villain nemesis, Mr. Hyde, starts terrorizing the ComicCon analogue, suspicion immediately falls on Garrison. Disappointingly. Velma is reluctant to explore other possibilities, because of her ironic resentment of geek comic culture. Scooby and Shaggy will be the washed-up thesp’s best hope, but his self-destructive behavior won’t make it easy for them to clear his name.
If you know your Hanna-Barbera, Mask is quite clever, because it features many H-B characters the Scooby gang previously met in crossover adventures, as fictional subjects for cos play and collectibles at the con. Garrison’s career-threatening indignities also parallel those of Moore and West (who turned down offers from Burton’s Batman productions and was subsequently frozen out of Nolan’s Dark Knight trilogy). It is also sufficiently hip to portray the mayor of San De Pedro as grotesquely corrupt. Plus, for extra added irony, James Becker, the chief of Con security, was transparently inspired by Paul Lynde.
