
A young woman is out to find her father’s killer. Good luck keeping her name straight. It will change many times over the course of an hour. Naturally, it turns out the old man had a secret past and she might not even be who she thinks she is. Role reversals are the order of the day, as Megan Hill and Candy Simmons tackle about a dozen or so parts interchangeably (including a couple of guys), all with familiar names for classic noir cineastes.
Defying coherent plot summary, Scarlet affectionately purees the hardboiled genre with some wickedly clever dialogue. Despite throwing in everything including the kitchen sink, Wells makes the pieces fit together surprisingly well. Effectively staged by Rob O’Neill, the production makes the most of its simple sets and shadowy backlit backdrop to create the appropriate atmosphere of perpetual twilight.
Hill and Simm

Scarlet has much the same appeal as the recently closed Broadway hit The 39 Steps, but at fraction of the ticket cost and about half the investment of time. A thoroughly entertaining stage romp, Scarlet is a clear highlight of this year’s Frigid Fest. It runs again this Tuesday (3/1), Wednesday (3/2), and Saturday (3/5) at the Kraine Theater.
(Photo: Anna Dvorak)