Good natured, lunk-headed Timuchin came to Almaty to apply for the police academy, but his uncle Samat argues he should just find a girl and settle down while he still has time to enjoy starting a family. As fate would have it, Timuchin quickly meets Alua, a civilian academy employee who accepts his paperwork (after a bit of teasing). She also happens to be the daughter of a high-ranking officer and the niece of Samat’s special customer Samal. (Obviously, they are quite compatible—just look at their names.)
Of course, Timuchin won’t back down when Arsen, the neighborhood gang leader acts all thuggish. Timuchin does not look so scary, but he has the moves to teach Arsen and his henchmen a few lessons, but they refuse to learn and keep coming back for more. Eventually, they start coming for Samar and Alua.
Anuar Turizigitov’s screenplay is not exactly brilliantly original, but Ergaziyev’s fight choreography is gleefully inventive, incorporating a host of found objects into the melees. Essentially, this film is an introduction to Timur Baktybayev, to determine whether his martial arts chops and ah-shucks screen presence can carry a film. He passes the test. In fact, he aces it.
There are no special effects tricks, so somehow, Baktybayev must have the same kind of rubber bones and cement head that made Chan so entertaining in his prime. This film has been widely compared to Rumble in the Bronx, with good reason. Indeed, you can see deliberate homages in several fight sequences.
Clearly, Baktybayev put a lot of blood, sweat, and pain into making Kung Fu Rookie. You can plainly see a good deal of it in the Jackie Chan-style out-takes that accompany the closing credits. He took his share for the team, but the results are highly entertaining, in a grittily honest kind of way. Enthusiastically recommended for martial arts fans, Kung Fu Rookie is now available on VOD.