
Sirius (or "Sir" as he is affectionately called) is not quite Lassie, but his ability to communicate and follow the instructions of his master is impressive none-the-less. Fascinated by the night sky, the director’s young namesake named the loyal canine after the Dog Star, the brightest star visible from Earth with the naked eye. Franstišek’s days appear to be filled with child-like wonder, as he and Sir commune with the nature. It seems their only cause for concern is the Bo Radley-esque forest-keeper who makes no secret of his ill will for the title animal. All that changes when a Nazi troop train blows up right before his eyes. Suddenly, the Germans are keenly aware of Franstišek’s station agent father as well as his spirited dog.
Though comparatively brief at a mere fifty minutes, Vláčil still takes his time establishing the rapport between boy and dog. Indeed, most of the film has a pastoral feel, though a sense of foreboding looms over the film. Clearly, there was a very competent dog trainer working behind the scenes, but Michal Vavrusa is also surprisingly understated and engaging as Franstišek.
Sirius could be considered an Old Yeller from behind the Iron Curtain. Yet, Vláčil slyly employs astronomical motifs to add a metaphysical-allegorical dimension unlike anything in Disney films. Though it burns brightly, we are told Sirius the star is due to temporarily disappear from the horizon. Likewise, the National Socialis

Beautiful in its simplicity and directness, Sirus is a rewarding film for both smart kids and relatively smart adults. Not available on DVD here in America, it is highly recommended for all ages when it screens this Saturday (2/5) as part of the Vláčil series at the Walter Reade Theater.