Showing posts with label Charlene Choi. Show all posts
Showing posts with label Charlene Choi. Show all posts

Tuesday, September 26, 2017

HK Cinema at SFFS ’17: 77 Heartbreaks

Break-up are often measured numerically. There are fifty ways to leave your lover and ten things I hate about you. The underappreciated Eva Lui comes up with seventy-seven reasons to dump Adam Cheung’s sorry butt. He will read them for himself when he comes across her journal in Herman Yau’s 77 Heartbreaks (trailer here), which screens during the San Francisco Film Society’s annual Hong Kong Cinema series.

Lui understood Cheung had family issues, so she cut him a lot of slack. To antagonize his father, Cheung quite his job as a solicitor, becoming a kick-boxing instructor instead. Yet, one day, Lui up and leaves. This deeply depresses Cheung, but he doesn’t do any real soul searching over it. In fact, he passively falls into a relationship with Mandy, a love-struck student. As it happens, she will be the first to read Lui’s “77 Heartbreaks” journal, a volume purchased from the mysterious Heartbeat Shutter store. There almost seems to be a bit of magic to it. Regardless, it crystallizes Lui’s thoughts and gives Mandy fair warning.

Arguably, the various Chinas are becoming the world’s leading producer of rom-coms. Seriously, when was the last a Hollywood relationship comedy justified its space on a hard-drive? However, despite its rom-com elements, 77 Heartbreaks is neither very rom or com. Instead, Erica Li’s adaptation of her own novel is more of a tragedy and a withering indictment of male complacency. Although, in all honesty, there are not going to be a lot of guys willing to defend Cheung, who rather revoltingly, backs into a relationship with a woman just as attractive as Lui and even more eager to make it work, yet he treats her like dirt.

Strong and sensitive, Charlene Choi is terrific as Lui, while you could say Pakho Chow fully commits as an actor, making Cheung as self-centered and un-self-aware as could ever be humanly possible. However, Michelle Wai’s achingly vulnerable performance as Mandy will really make the audience want to line up to beat Cheung with their soap wrapped in their towels, in the manner of Full Metal Jacket. Not surprisingly, veteran Anthony Wong steals a few scenes as Lui’s boss, Solicitor Pak and Kara Hui cranks up the grace and dignity as Lui’s mother. Yet, the film’s secret trump card is Francis Ng as Shutter, the eccentric but profoundly humane photographer and silent partner in Heartbeat Shutter.

You have to give Yau and Li credit for never taking the easy way out. This isn’t like a slightly disappointing day for Bridget Jones. It is about coming to terms with the disappointments of life and the mortality of loved ones. Wisely, they also refrain from counting down every last heartbreak, concentrating on the general trajectory of the relationship instead. Considerably deeper than it looks, 77 Heartbreaks is recommended for fans youth dramas and break-up films like Singles, when it screens this Saturday (9/30) as part of the SFFS’s Hong Kong Cinema.

Tuesday, May 07, 2013

The Assassin’s Blade: A Wuxia Tale for Verona


When they became sister cities, Verona and Ningbo (in east Zhejiang province), exchanged statues of Romeo & Juliet and Zhu Yanzhi & Liang Zhongshan, popularly known as the Butterfly Lovers.  While the comparison between the two star-crossed couples was always apt, Jingle Ma cranks up the Shakespearean elements in The Assassin’s Blade (trailer here), his romantic adaptation of Butterfly Lovers legend, which releases today on DVD and Blu-ray from Well Go USA.

Zhu has always led a sheltered life, but she longs to see the world.  Suddenly, she will have a bit of an opportunity.  She is to study with the Soul Ease martial arts clan in the retreat high in the mountains.  The order does not accept women, so she will have to pass as a man.  Only her father’s old friend, Soul Ease’s healing practitioner, Herbal Head, knows her secret.  Although they start off on the wrong foot, she soon forms a close bond with “Big Brother” Liang, the master’s top student.

It is all particularly confusing for him, given his inability to see through her clever disguise.  Yet, viewers fully realize they are predestined for each other, having appeared in each other dreams for years (though always seen from behind and slightly out of focus).  Just when they start to get somewhere, her childhood friend “Brother” Ma Wencai appears to take Zhu home where news of their arranged marriage awaits.  That’s just not going to work, especially considering Ma’s rather ruthless approach to love and war.

The first half of Blade channels Shakespeare’s comedies, particularly Twelfth Night’s cross-dressing romance.  The pendulum swings to tragedy during the second half, directly invoking Romeo & Juliet.  There is even a mysterious little McGuffin causing no end of complications.  There was a time when Hollywood had a golden touch with romantic weepers, but these days Hong Kong and Chinese wuxia epics hold the overwhelming competitive advantage.  Blade is a perfect example.  Despite suspecting how it all must end, the film keeps viewers hoping otherwise and will likely be thoroughly satisfied by the poetic closing.  It also delivers some pretty impressive swordplay, emphasizing the human weaknesses of the combatants, instead of making them nearly invulnerable supermen.

It is darn hard to believe anyone could confuse Charlene Choi with a man.  Regardless, as Zhu she is both vivacious and sincere.  Wu Chun broods like mad opposite her and brings sufficient credibility to his action duties.  Unfortunately, Hu Ge’s Brother Ma’s in-betweenness makes him too merciless to identify with, but too pathetic to cheer for his downfall.

While director Ma (perhaps best known as the cinematographer on some of Jackie Chan’s best known films) emphasizes the tale’s high literary tragedy, he keeps the pacing brisk and the action muscular.  It all has a classy look in the tradition of Zhang Yimou epics that should appeal to fans of historical romance as much as martial arts fanatics.  Recommended to general audiences as a thin edge of the wuxia wedge, The Assassin’s Blade (a.k.a. The Butterfly Lovers) is now available for home viewing from Well Go USA.