This
would be Peter Cushing’s final feature film for Hammer, but he did not reprise
any of his famous gothic characters. He only shot for four days, but they were
all on-location in Hong Kong, so at least he got an exotic trip out of it.
Stuart Whitman played the title character but the real stars are the gritty
1970s-era HK locations seen throughout Michael Carreras’s Shatter (a.k.a.
Call Him Mr. Shatter), Hammer Film’s second not-so great co-production
with the Shaw Brothers, which releases today on BluRay.
Shatter
is a hitman who usually contracts out his services to the Western intelligence
agencies. Unfortunately, the Hong Kong drug syndicate tricked him into executing
the particularly nasty and destabilizing assassination of an African dictator.
When Shatter complains to his regular HK contact, he finds he is now persona non
grata. Even worse, Hans Leber, the money man for the contracting cartel, refuses
to pay his fee.
Paul
Rattwood, the local British station chief gives Shatter one day to leave town,
but he is not going anywhere until he gets his money and some payback.
Fortunately, he recruits a talented martial arts expert, Tai Pah, who can help
keep him alive. However, Shatter is even more interested in Tai Pah’s sister
Mai-Mee, a strictly professional masseuse working in a dodgy massage parlor.
Hammer’s
first Shaw Brothers co-pro was the unfairly under-rated Legend of the 7 Golden Vampires, in which Cushing returned to the iconic role of Van
Helsing. However, Shatter was sort of an additional throw-in from the
start. It probably did not help that the original director, Monte Hellman, was
fired early during the production, with Hammer president Carreras taking over.
Nevertheless,
Lung Ti has several cool fight scenes as Tai Pah and his fellow Shaw Brothers
regular Lily Li is warmly charismatic as Mai-Mee. The real problem is Stuart
Whitman, who was badly miscast as the steely Shatter. Reportedly, he was physically
ill during production—and he looks it. Of course, Cushing does his thing as
Rattwood, but Anton Diffring (whose spotty previous Hammer tenure included
their unsold 1958 pilot, Tales of Frankenstein) basically phones it in
as Leber.
