Elsa Aubry is about to receive an Indecent Proposal, but it won’t jeopardize her marriage—just her soul. Some unknown benefactor will offer her one million Euros, ostensibly as an inheritance, if she simply kills someone, who supposedly really deserves it. The dedicated wife and mother is not a murderer, but she desperately needs the money. Of course, the offer is also not as straight-forward as it is initially presented in creator-co-writer Chris Lang’s two-part French drama Pieges, which premieres tomorrow on MHz Choice.
Clearly,
murder is not an enforceable contract item, but the lawyer Dugard maintains willful
ignorance. He merely schedules a meeting with Aubry and gives her a flashdrive
with a video file to be watched in his absence. If she refuses, Aubry still
pockets 5,000 Euros for her troubles. However, if she returns in three days,
she will learn who she must kill and when.
Aubry’s
first instincts were to go to the police. However, her husband Marc convinces
her to at least take the 5K. They are already struggling to make ends meet, even
before her Leukemia-survivor daughter Zoe suddenly suffers a relapse. Ordinarily,
Aubry would never entertain such an offer, but when Zoe’s only hope is an
experimental treatment in Chicago not covered by insurance, Marc is willing to
consider it for her.
The
format of Pieges is relatively unusual these days, consisting of two
hour-long installments, but it divides quite evenly, both in terms of narrative
break and emotional tone. In fact, Pieges is quite effective and
compelling, because Lang and co-writers Julien Teisseire, Claire Lemarechal,
and Simon Jablonka go micro rather than macro when they reveal the truth behind
the secret conspiracy. Instead of an international internet cabal, what is
going on is actually deeply personal.
The
likable and sympathetic Aubry family dynamics further raise the stakes. It is
rather notable and refreshing that Marc is Aubry’s second husband, but Zoe
fully accepts him as her father figure. As a result, we can credibly accept any
decision they might and still root for them.
Odile Vuillemin is pretty believably freaked out and overwhelmed as Aubry. She also develops some appealingly familiar chemistry with Thierry Neuvic’s Marc. Audrey Hall is a bit annoying as Zoe, but she is a teenager, after all. As a bonus, the crafty veteran Philippe Magnan adds some sinister elitist color as Dugard, the lawyer with plausible deniability.
MHz continues to find some of the best European mysteries and crime dramas. Pieges definitely fits their viewers’ editorial preferences. In this case, the overall feature-length gives sufficient time for character development, but the two-part structure breaks it up into easy pieces for busy viewers. Highly recommended for fans of domestic thrillers, Pieges starts streaming tomorrow (9/1) on MHz Choice.