Fantasia ’15: Big Match

Looking for a film that will give you sympathetic bruises and body aches? Sure, we all are, so here it is. Poor Choi Iko will go from one massive beatdown to another. Technically, that is his job as the top MMA contender, but he never signed up for this so-called “game.” Gameplay definitely leaves a mark in Choi Ho’s Big Match (trailer here), which screens today during the 2015 Fantasia International Film Festival in Montreal.

Choi was briefly a promising soccer prospect, but after one notorious game and a pile of red cards, he found his true calling in the MMA ring. His older brother Young-ho is his coach, manager, and the closest thing to a voice of reason in his life. Therefore, when the shadowy Ace kidnaps Young-ho and frames the brothers for murder, Choi will reluctantly play his game.

For the wagering amusement of Ace’s select clientele, Choi will have to navigate the successive levels of the very real life game, starting with his escape from police custody. Things quickly escalate when he is forced to attack an underground mob casino single-handedly. Choi is undeniably a cement-head, but he is determined to take the fight to Ace, as soon as he saves his brother. He might also find an unlikely ally in Soo-kyung, his reluctant in-game minder.

If you thought the day would never come when K-pop superstar BoA would go to work on a pack of gangsters with a set of brass knuckles, then brace yourself for some good news. Granted, she never really taps into the inner recesses of her soul as Soo-kyung, “the woman of mystery,” but she is kind of awesome in her action scenes. Likewise, Lee Jung-jae plays Choi with all kinds of fierce guts. He almost looks to lean to be a top-ranked MMA fighter, but he turns out to be pretty credible dishing it out and taking it.

The pedestrianly titled Big Match might sound like a workaday recycling of elements from films like 13 Sins and Man of Tai Chi, but the sheer spectacle and intensity of the fight sequences are something else entirely. There are a few stunts that just border on the ludicrous, but they always result in conspicuous scarring, which sort of keeps it real. To put things in perspective, Choi is tased on multiple occasions, but each time he just takes a beat to center his chi and then gets back at ‘em.

This is the sort of film that converts the stiff and staid into fanboys. Usually, kidnapping plots are not a lot of fun, but in this case, all the mayhem and promised payback more than compensate. For action fans, Big Match is the real deal, raw egg-swilling goods. Highly recommended, it screens tonight (7/29), as part of this year’s Fantasia.

Make Your Move: BoA Steps Up with COBU

Their motto is: “dance like drumming, drum like dancing.” Founded by Yako Miyamoto, the first Japanese cast-member of Stomp, the COBU dance troupe puts on an amazing live show combining Taiko drumming with tap and hip hop dancing. If they were not already extensively touring through South Korea, they probably soon will be. That is because reigning K-Pop diva of divas BoA plays a member of the COBU ensemble for her English language film debut. She learned her steps well. Viewers will come for the Taiko dancing and stay for the Taiko dancing when Duane Adler’s Make Your Move (trailer here) opens today nationwide.

Let’s admit right from the start the screenplay from Adler, the Step Up scribe is pretty clunky. Whenever you hear the sound of grinding metal it is really just the dialogue. However, for dance movies that is just par for the course. What counts are the moves, which are hot, particularly the Taiko sequences choreographed by Miyamoto. The more traditional Dirty Dancing-esque numbers choreographed by Napoleon and Tabitha Dumo also smoke thanks to the agile footwork of BoA and Dancing with the Stars’ Derek Hough.

BoA plays Aya, the Japanese-born Korean leader of COBU, whose visa will expire in a matter of days. She needs confirmed gigs and a sponsor to stay in the country. Unfortunately her only volunteer so far is Michael Griffiths, her brother Kaz’s creepy majority partner in OTO, a swanky new Brooklyn dance club. He would be happy to feature COBU, but he requires exclusivity. Aya would rather be deported than be beholden to a stalker like him.

Kaz used to be partners in the underground hipster club Static with Nick, but they split on bad terms. Their feud threatens to get deadly when each sends thugs to disrupt each others’ businesses. It is an inconvenient time for Donny leave New Orleans in violation of his parole, hoping to land a dancing gig in his foster brother Nick’s club. However, when Donny sees Aya launch into an unsanctioned impromptu performance in Static, all bets are off. Yes, it is West Side Story in BKLN, but when they are dancing, it all sort of works.

Although BoA is clearly still a bit uncomfortable with English, the camera absolutely loves her. Frankly, she handles her dramatic responsibilities rather well, thanks to a naturally warm screen presence. Hough is a different story, but at least he can dance. (Yet bafflingly, he sports a spit of peach-fizz so ridiculous looking, even the other characters bust on him for it.)

It is also nice to see Miyamoto get some screen time as Kaori, a COBU troupe member. She even gets to start the big climatic dance number with Hough, before BoA and the rest of COBU come in. It’s a show-stopper alright. Although he never shows any moves, Will Yun Lee also brings some professionalism to the proceedings as big brother Kaz.

To recap, the Taiko choreography and the partner dancing in MYM are rousingly entertaining. The plot and dialogue and what they are. Fans of BoA, COBU, Stomp, or the Step Up franchise will definitely dig it. Recommended for those looking for a dancing fix with a garnish of inconsequential romance, Make Your Move opens today (4/18) in New York at the AMC Empire.

Venus Talk: Naughty Coffee Klatching

Some critics will reflexively compare this Korean relationship drama to that old HBO show that ended its run a decade ago. However, the three stars of this import were secure enough to allow a cameo appearance from BoA, the young and glamorous “Queen of Korean Pop.” In fact, the forty-something cast looks considerably younger than their long-faced American forerunners. They will still inevitably mismanage their private lives in Kwon Chil-in’s Venus Talk (trailer here), which opens in select theaters this Friday.

Frankly, this trio of friends is not so interested in talking, but they have to do something when they meet for brunch at Hae-young’s coffee shop. She is a single mother with a grown daughter she can’t get out of the house and the best boyfriend of the bunch. Sung-jae is mature, sensitive, and handy around the house, but harbors been-there-done-that feelings about marriage. Mi-yeon appears to be happily married, but her demands will put a strain on her relationship with her Viagra-bootlegging husband, Jae-ho. Shin-hye is more interested in her work as a television producer than any sort of romance, but a drunken fling with Hyun-seung, a much younger colleague complicates her carefully calibrated career.

Into these lives great turmoil will fall, but they always stick together—after a bit of judgmental cattiness. Sure, you probably suspect where Kwon and screenwriter Lee Soo-a are headed and have a pretty good idea how they will get there, but it must be said Venus is surprisingly fair to the guys. Frankly, the women are at least as responsible for their relationship angst and their partners, if not more so. This is particularly true in the case of Mi-yeon and the woefully cringey Jae-ho.

While never explicit, Venus is rather saucy, especially by the standards of Korean cinema. Not for no reason, most of the more suggestive scenes feature the photogenic Uhm Jung-hwa and Lee Jae-yoon as the impressively fit Shin-hye and Hyun-seung, respectively. They have okay chemistry together and Uhm nicely mixes attitude and professionalism in her straight forward dramatic scenes.

Yet, Cho Min-su once again steels the picture in a complete change of pace from her soul-shattering turn in Kim Ki-duk’s bracing Pieta. As Hae-young, she brings more dignity, forgiveness, and general humanity to Venus than you would ever expect to find in a cougar-ish chick flick. In contrast, Moon So-ri is stuck with the least sympathetic and most over-the-top of the lot, but she fully commits to the voracious Mi-yeon nonetheless.

There have been films like Venus before and there will be plenty more like it to come. Even so, it is a credit to Kwon, Uhm, and Cho how smooth it goes down, especially for those who do not have a strong affinity for the genre. It is well executed, but never pushes the envelope of women-centric relationship dramas. Mostly recommended as a women’s-night-out movie, it opens this Friday (2/28) in Honolulu at the Consolidated Pearlridge and in Vancouver at the Cineplex Silvercity.