If you think Martin Scorsese might have something to say about this moment in cinema history, you would be correct. He is one of small army of directors and cinematographers interviewed by co-producer and on-screen host Keanu Reeves. While Scorsese has mixed emotions, George Lucas is all in for digital, while Christopher Nolan stubbornly clings to his photochemical film. To oversimplify the debate, digital is cheaper and more easily manipulated, whereas film has more dynamic character, in much the same way vinyl favorably compares to digital music.
Side By Side gives a brisk and lucid overview of the development of digital technology and its rise from the domain of slacker indies to 3D tent-poles. Most of the interview subjects are exactly the sort of experts one would want to hear from, including David Lynch, Lars von Trier, Danny Boyle (whose Oscar-winning Slumdog Millionaire was a digital watershed), and both Wachowskis, as well as top flight cinematographers such as Vilmos Zsigmond and Vittorio Storaro.
However, it is impossible to ignore the snickering that erupts whenever a filmmaking giant prefaces an answer with: “Well Keanu, I’ll tell you. . .” Poor Reeves. He actually seems like an okay guy when he explains some of the Matrix effects to a young extra on the set of his upcoming 47 Ronin. He just has a certain presence and persona at odds with his on-screen role here.
