Just imagine if this movie has 19 sequels, but would people still remember the band by
then? They will remember the toys. There will always be a market for the matchbox-sized
diecast cars, so there are plenty of adults who fondly remember collecting
them, just like the characters of this film. Sorry, there are no animated vehicles.
However, plenty of cars will drive fast and flip over in Sam Hargave’s
Mattel-branded Matchbox the Movie, which premieres tomorrow on Apple
TV+.
Sean
Walker and his friends always used to meet in Aimee’s uncle’s garage to trade
and race their Matchbox cars. However, Walker had to cut ties to the group,
after he was recruiting by a super-secret black ops division of the CIA. Yet, rather
fatefully, he hears of Uncle Smalley’s demise right after his overwatch handler
orders him to lay low, following an unusually messy mission.
Walker
can’t help paying his respects to Uncle Smalley, so he inevitably reconnects
with the old gang. It is great until they are all drugged and renditioned by
the CIA. Apparently, someone gave the Agency the mistaken notion Walker stole
the warhead he just recovered from terrorists and they assume his old pals are
his accomplices.
Of
course, you can’t keep an operative like Walker chained up for long. Pretty
quickly, he engineers the gang’s escape. Much to his frustration, they intend
to tag-along and “help” as he works to re-acquire the warhead and clear their names.
Fortunately, he knows some contacts who also want to avoid a catastrophic false
flag terror attack, including Grigor, a peace-loving FSB agent.
That’s
right. An FSB agent is a minor good guy in Matchbox, while all the bad
guys are in-fighting CIA Officers. Again, what an insult to the memories of 141
CIA Officers who made the ultimate sacrifice for their country. Perhaps Hargrave
and screenwriters David Coggeshall & Matt Westbrook have a seething hatred
of the United States. Maybe they truly believe the FSB is a greater force for peace
in the world than the CIA. However, that hardly seems likely for the average
Matchbox afficionado. Seriously, what were Mattel, Apple, and Skydance thinking?
Previously,
Hargrave helmed Extraction and its spectacular sequel Extraction 2.
He balances the action and the humor reasonably dexterously. However, it is
rather unsettling to see big, beefy Sean Walker fighting and killing his fellow
black ops officers, even if they have “gone rogue.” Daniel Bernhardt (who co-starred
in the Extraction sequel) still has the chops, so he makes a worthy foil
for Walker. John Cena certainly knows how to fake fight and he forges some endearing
chemistry with Jessica Biel, playing Aimee.
You would think an espionage novelist like Elly Conway would be a dog
person, rather than a cat lady. She leads a shier, quieter life than Joan
Wilder in Romancing the Stone, even though she is so tuned into geopolitical
realities, her novels have been described as prophetic, much like the
techno-thrillers of Tom Clancy and David Hagberg. In fact, she her books have become
a little too predictive for a shadowy SPECTRE-like organization in Matthew
Vaughn’s Argylle, which opens Friday in theaters nationwide.
Conway
does not get out much, but when she leaves home for a meeting (like this
fateful day), she always brings her fat cat Alfie. She has a tailor-made argyle-print
carrier for him, probably because Petco doesn’t have anything big enough for
his plump rump. She will cling to his case for dear life while the mysterious
Aidan rescues her from a train full of assassins. The shaggy stranger is
nothing like suave fictional Agent Argylle, whom we see in action during
fantasy segments and book-readings, as well as when he reassures the neurotic
Conway, in her mind’s eye.
At
least Aidan claims to be a fan—and a real spy. According to him, an
international spy outfit (much like Citadel) just turned to the dark side,
exactly like the plot twist of her latest novel. Unfortunately, she ended it
with a cliffhanger, which nobody likes, especially not KAOS or THRUSH. He needs
her to come up with a real ending to foil the bad guys, but it will not be that
simple.
Weirdly,
there are a lot of similarities between Argylle and Citadel, but
it would be spoilery for both to explain how. Regardless, they are worlds apart
in terms of tone. Argylle always goes for laughs and it is not afraid to
lean in slapstick. To their credit, some of Aidan’s early fight scenes are
impressively choreographed, but they grow increasingly outlandish and silly.
Screenwriter
Jason Fuchs throws one crazy plot twist after another at the audience, but the head-spinning
revelations are all part of the winking fun. This movie can be a lot, but it
knows and appreciates the genre it is spoofing. Plus, it has Alfie, who gets a
lot of laughs, even though Chip (the cat who plays him) gives the film’s most
deadpan performance.
One
of the film’s pleasant surprises is the facility for broad, physical comedy Sam
Rockwell shows as Aidan. Fans know he can be sarcastic, but here he gets to act
loopy and rubber-boned—and it largely suits him. Bryce Dallas Howard cannot
really match his energy as Conway. However, the film as a wealth colorful
supporting players, like Bryan Cranston and Catherine O’Hara, who chew the
scenery like a Five Guys Burger, as the villainous Ritter and Conway’s
overbearing mother.