This is a rather bold programming choice, considering how many attending Sundance have flown in from New York and Los Angeles. Originally, it started as an Off-Broadway theater production, based on the real life transcripts of black boxes recovered from plane crashes. Though it retains the potentially stagey single cockpit set and the revolving ensemble, Robert Berger & Karlyn Michelson’s Charlie Victor Romeo holds the distinction of being Sundance’s first 3D film, screening as part of the 2013 New Frontiers track.
For a film entirely depicting systems failures, it is ironically fitting CVR’s Monday night screening had to be presented in 2D due to technical difficulties. While some of the schematics incorporated into the film might look cool in 3D, it is hard to see how the film lends itself to the process. The real story is the impressively realistic sound, designed by Jamies Mereness, recorded and edited by Kevin Reilly, and mixed by Joel Hamilton. The theatrical nature of the solitary set also becomes quite cinematic, thanks to the eerie lighting.
The constituent stories of CVR are a bit bracing, since in each case a plane is going down. The only question is how bad will it be? In general, the short ones are more disturbing. However, the clear dramatic highpoint of the film recreates efforts to save a Peruvian flight that lost all instrumentation, including velocity and altitude, soon after take-off.
The cast-members are all quite strong in their various roles, particularly Patrick Daniels (the director and co-writer of the original stage version) in the Lima installment. They quickly create convincing working relationships amongst the flight crews, which are almost immediately tested in crisis situations.