Showing posts with label Ben Folds. Show all posts
Showing posts with label Ben Folds. Show all posts

Monday, August 11, 2025

Snoopy Presents: A Summer Musical, on Apple TV+

The Peanuts comic-strip premiered in 1950, but Charlie Brown and the gang have always been Gen X’ers at heart. Think about it: they stay outside all day long and they never have any adult supervision. That is why they love camp, except maybe Sally. She is like the Gen-Z’er of Peanuts, who would rather stay home watching TV. Just for the record, this is not Camp Remote from Race for Your Life, Charlie Brown. This is Cloverhill Ranch, where everyone feels welcome, even a blockhead like Charlie Brown. He is excited to introduce Sally to the camp’s activities, but it turns out this might be the last hurrah in Snoopy Presents: A Summer Musical, directed by Eric Wiese, which premiers this Friday on Apple TV+.

Of course, the
Peanuts kids can sing. They had their own hit Off-Broadway musical, You’re a Good Man, Charlie Brown. Group singing also happens to be a very camp thing to do. Frankly, Charlie Brown enjoys everything about Cloverhill, which seems very un-Charlie Brown, but the recent Apple TV+ specials have cut Chuck a lot of breaks. It is sort of nice, because we all love the character, but it still feels sort of wrong, because it breaks with the tradition established by Charles Schulz.

Regardless, Cloverhill is his happy place, but Charlie Brown cannot help noticing there have been fewer and fewer campers every year. Yet, he initially focuses on convincing Sally to be less of a miserable Gen Z wet blanket, while Snoopy and Woodstock commence a treasure hunt using the map they accidentally unearthed. Unfortunately, just as he starts to make progress with Sally, the invisible adults announce this will be Cloverhill’s final season. How can the Peanuts gang save the camp? This is a musical, so that should be your first clue.

In fact, this happens to be a pretty solid musical. It isn’t quite
Good Man, but it features two pleasingly melodic and memorable tuns penned by Ben Folds. “When We were Light” is a standout that measures up to anything you can currently hear on Broadway, while “Look Up, Charlie Brown” has a really nice musical theater dramatic arc. However, Foods’ best Peanuts tune remains the title song to Snoopy Presents: It’s the Small Things, Charlie Brown, which should have won an Emmy (or even a Grammy).

Tuesday, April 12, 2022

It’s the Small Things, Charlie Brown—on Apple TV+

Earth Day is one of the few “holidays” the Peanuts gang didn’t have a special for, until now. (To be fair, they had Arbor Day, which is pretty much the same thing, but a different day). Their latest special of the Apple era is indeed intended to commemorate Earth Day, but it works just as well for the opening of baseball season. Flowers will be planted, but it is unclear how much baseball will be played on Charlie Brown’s regular weed-infested field in Snoopy Presents: It’s the Small Things, Charlie Brown, directed by Raymond S. Persi, which premieres Friday on Apple TV+.

Purists amongst us will be happy to see the black-headed kid’s name back on the title (they’re still using that “Snoopy Presents,” but whatever). Snoopy is a star, but Charlie Brown is the heart and soul of
Peanuts, partly because he is such an eternal optimist. This time he is convinced his baseball team can beat Peppermint Patty’s for the neighborhood pennant. It maybe wouldn’t be as crazy as it sounds, because he has them playing some pretty good ball. The thing is, he promised Sally she could play this year—and she is terrible on the field.

The real trouble comes when she gives up on playing and becomes fixated on a dandelion growing on the pitcher’s mound. Much to Charlie Brown’s frustration, her sudden enthusiasm for wild nature starts to catch on in the neighborhood and within his team.

None of Apple’s
Peanuts originals have quite matched the gentle wisdom of Charles Shulz’s writing, because how could they, but the previous For Auld Lang Syne came pretty close. Small Things also has some worthy sentiments, but it happens to be the first that really creates its own musical identity. In the past, Jeff Morrow’s music was nice, but clearly tried to evoke Vince Guaraldi’s classic themes, while staying appreciably different (presumably for legal and economic reasons).