They are not kidding about the drinking. Their claims to camaraderie are something else. Two brothers and their gigolo buddy share a bachelor flat, but it is hardly a happy home. Of course, none of the three have really had much domestic nurturing. They will run wild and court danger, eventually finding more than they bargained for in Chang Tso-chi’s Thanatos, Drunk (trailer here), which screens during the 2016 CAAM Fest.
While his gay older brother Shang-ho was in America, Rat’s hopelessly alcoholic mother became clingingly codependent. As a result, when Shang-ho returns, Rat is more than primed to bolt from the coop. In their new digs, Shuo becomes the de facto head of household. Both brothers fixate on him. For Rat, he is a role model, but Shang-ho’s interest is cautiously romantic. Lustful might be more accurate. Technically, Shuo has a girlfriend, but her trust is quickly evaporating. In contrast, Rat has the closest thing to a healthy relationship to be found in the film when he starts courting a mute prostitute. However, he also buys some long term trouble for Shuo when saves the meek street walker from an abusive gangster who frequents Shuo’s club, scarring him in the process.
Or something like that. Frankly, Chang’s narrative is so inert and the atmosphere is so boozy and bleary-eyed, it is often hard to follow the film as it staggers about erratically. It is a crying shame because the relationship between Rat and the prostitute holds genuine potential. As Rat and the silent woman, Lee Hong-chi and Chang Ning develop some potent chemistry. Unfortunately, whenever the lads start drinking in their crash pad, the film essentially takes a standing nap.
Frankly, Chang is also rather klutzy when trying to handle issues of sexuality. Yet, probably the most awkward scenes involve Rat’s inexplicable fascination with pigs’ head and dead fish. It is like a metaphor that isn’t worth unpacking. Still, there is plenty of tragic bite to Lü Hsueh-feng’s flashback appearances as Mommie Dearest.