Nadine might have a hard time recouping her deposit on the remote Belgian mansion she rented for a drunken New Year’s blowout. As usual, it is always the blood stains that are the hardest to get out. There will be a lot to clean up when a psycho-killer starts stalking her guests in Tony T. Datis’s Le Manoir (trailer here), which screens during the 2017 Fantasia International Film Festival.
Nadine and Fabrice are definitely still together, but in the case of Stéphane and Sam, it depends who you ask. He says they are just taking a break, but she says they are totally over. That already makes things pretty awkward, but the night will get much worse when someone starts knocking off the irresponsible partiers. Of course, the heaping helpings of drugs served up by the hippyish Drazic will not help much either, especially when he slips some Jim Morrison-strength mushroom brownies to Sam’s shy cousin Charlotte.
Frankly, there is even more attitude splattered over Le Manoir than blood. While Datis (previously best-known for music videos) helms the slasher business with a sure hand, the film is especially lethal when skewering the clueless millennial mindset. It takes on semi-meta dimensions when you take into the account most of the cast were YouTube “stars,” many whom were making their proper acting debuts in Le Manoir. However, they are totally watchable when bickering, bantering, and getting gruesomely murdered. (As American comparisons, they are not as charismatic as the stars of YouTube Red’s Single By 30, but they are vastly superior to the leads of The Thinning.)
Vanessa Guide probably counts as the professional ringer in the ensemble, delivering some truly outrageous lines with appropriate contempt for decorum as the sexually “confident” Sam. Jérôme Niel doesn’t take any prisoners either as the abrasive and possibly delusional Stéphane. However, Ludovik Day scores the most surprise laughs as the not quite as nebbish as he looks Bruno, whereas Vincent Tirel’s Drazic largely falls back on druggy-guru clichés.