Apparently,
the progressive force of hashtags has yet to render the Indonesia island of
Sumba fully woke. You can ask the titular widow. When a wiry old gangster informs
her of his gang’s plan to rape her and rob her livestock, Marlina is on her
own. However, she is more resilient than anyone expects in Mouly Surya’s Marlina the Murderer in Four Acts (trailer here) which screens during this year’s First Look at the Museum
of the Moving Image.
Initially,
the cocky Markus arrives alone, but the rest of his gang will be there shortly.
He is a particularly sinister piece of work, who makes it clear he expects
Marlina to be an accomplice to her own victimization. That even includes
cooking chicken soup for her prospective rapists. In retrospect, that demand
turns out to be a mistake. Marlina knocks off four of them through poison and
she manages to decapitate Markus while he is getting down to his Weinstein
business. However, Deanz and Ian were whisking away her chickens and goats, but
they naturally feel they need to settle the score when they return to find
Marlina’s carnage.
They
will track Marlina, who had a notion she should turn over Markus’s head to the nearest
useless police station. She is reluctantly traveling with her ultra-pregnant neighbor
Novi, who is determined to find her absentee husband (the lout who considers
her overdue delivery evidence of infidelity), and an aunt and nephew desperate
to deliver the balance of his dowry: two horses. The provincial bus driver isn’t
thrilled about taking on these six passengers (horses included), but Marlina’s
machete won’t take no for an answer.
Essentially,
Surya has crafted an Indonesian western, with sandy vistas worthy of John Ford,
albeit executed at a slow art-house pace. There is also more than a touch of
the surreal, notably including Markus’s headless ghost, which haunts the otherwise
not-too-broken-up Marlina. Surya uses western devices in sly ways, but it does
not require much interpretive heavy-lifting to deduce her points about the
state of women’s rights on the tradition-bound island. Her husband’s body isn’t
even buried yet (that’s his embalmed mummy sitting in the corner) before Markus
and his thugs come calling.
Marsha
Timothy is awesomely fierce as Marlina, but she is still a vulnerable woman
rather than a superhero. Yet, Dea Panendra’s innocently bubbly Novi gets all
the real tragedy and tribulations, because the world-weary Marlina is clearly
done caring. On the other hand, Egy Fedly and Yoga Pratama are appropriately
despicable as the rat-like Markus and the protesting too much Franz.
Four Acts is an immersive
film that transports viewers to its arid, hardscrabble environment. It is also
an angry film that invites viewers to either share or feel Marlina’s wrath.
Consider us down with Team Marlina. Recommended for fans of major auteurs,
including Lisandro Alonso, Jean-Jacques Annuad, Bela Tarr, and Peter Weir, Marlina the Murderer in Four Acts screens
this Saturday (1/6), as part of First Look 2018 at MoMI.
