Thursday, December 26, 2024

Ghost Story for Christmas: Lot No. 249, on PBS

Arthur Conan Doyle would probably hate this adaptation of his mummy short story, for the same reason many of his fans will enjoy it. Departing from the original text, it creates a role that is clearly implied to be you-know-who. Of course, he could justifiably complain the annual BBC series, A Ghost Story for Christmas had no business adapting his creepy yarn, because it is about a mummy, not a ghost. Still, maybe screenwriter-director Mark Gatiss might argue a mummy is an undead spirit that loiters malevolently, much like a ghost. Regardless, there is plenty of gothic tweediness in Lot No. 249, which airs tomorrow on Buffalo Public Television (airing a Ghost Story for Christmas, more-or-less for Christmas, as it was originally intended).

Abercrombie Smith is a very smart but not quite genius Oxford medical student, who treats Edward Bellingham, the eccentric Egyptology scholar in the digs next-door for exhaustion, nervous collapse, or really just some kind bizarre trance-like state. Whatever you call it, viewers can tell he has been dabbling in black arts.

Sure enough, soon thereafter, Bellingham’s campus rival is throttled by a mysterious hulking figure. For an Oxford student, Smith puts two and two together relatively quickly, deducing Bellingham has found a way to reawaken and control the mummy he bought at auction—that would be lot number 249. However, before confronting Bellingham, he wishes to “consult” his unnamed friend, a detective hoping to soon move to Bakers Street, who is decidedly not inclined to give credence to the supernatural.

Indeed, the Holmesian references are quite amusing. Gatiss also amps up the gay subtext, which almost feels unnecessary for a story set in the rarified world of elite British public (meaning private) school alumni. Frankly, Mummy makeup technology really hasn’t needed to advance much since Boris Karloff bandaged-up in 1932, so this one looks just as well as most of the ones that came before.

Regardless, Kit Harrington nicely plays Smith’s very proper façade and his fierce contempt for the corrupt and unnatural. John Heffernan gives off the right Holmesian vibes, without overdoing it, while Freddie Fox chews the scenery quite entertainingly as Bellingham, who always looks sweaty, unhealthy, and altogether sinister.

So, it is a ghost story, but with a mummy instead—and sort of, but not quite Sherlock Holmes. Yes, that all works pretty well. While not as satisfying as
The Tractate Middoth or The Mezzotint, Lot No. 249 serves up a lot of gothic Egyptomania fun, when it airs this Friday (12/27) and next month (1/28) on Buffalo PBS (and it currently streams on BritBox).