Thursday, November 10, 2011

Elite Squad: Nascimento vs. Everyone

Watch out for those left wing academics. They will steal your wife and poison your son against you. At least that is what happened to Colonel Nascimento, the leader of Rio’s SWAT team equivalent, the Special Police Operation Battalion, or BOPE in the Portuguese acronym. However, Nascimento still finds himself working with his nemesis to bring down a crypto-fascist criminal empire run by crooked cops and politicians in José Padilha’s Elite Squad: The Enemy Within (trailer here), Brazil’s official Academy Award submission for best foreign language film, which opens tomorrow in New York.

Diogo Fraga is the Brazilian Al Sharpton. Whenever the inmates riot (which is often), they send for him to act as a “mediator.” However, when the latest standoff gets tense, Fraga starts to look like a legit hostage. When Nascimento’s protgege Matias sees his shot, he takes his shot, as per BOPE training. Unfortunately, the resulting blood splatter all over Fraga’s peace t-shirt is too rich not to exploit in the media, even if was meant to save his behind. As the officer in charge, Nascimento bears the brunt of Fraga’s protests, but the fearful public is completely behind the officer. Left with only one recourse, the politicians kick him upstairs to some sort of homeland security position.

Suddenly, Nascimento is setting criminal justice policy on a state level. He gives BOPE the resources they always needed and turns them loose on the cartels. Actually, it works too well, leaving a vacuum to be filled by “The System,” a ruthless syndicate run by crooked cops and hypocritical “law & order” politicians.

Evidently, Padilha must have been stung by the criticism of the first Elite Squad as an endorsement shoot-first-and-ask-questions-later vigilantism, considering how far he swings the pendulum over in Enemy Within. Now it is depose first and ask follow-up questions later in committee hearings.

At least Wagner Moura is still the ever-popular Nascimento, who looks like a non-descript everyman, but is a seriously bad hard-nose. His no nonsense presence helps redeem Enemy from its constant attempts at redemption through sociopolitical relevancy. In a standout supporting turn, André Ramiro brings a scary intensity to the tightly wound Matias. Brazilian music lovers should also keep an eye out for superstar vocalist Seu Jorge, appearing early in the film as powerful drug kingpin.

There are some tightly executed action sequences in Enemy, lensed in uber-flashy style by cinematographer Lula Carvalho, but it is ultimately undone by its didactic political subplots. After all, one doubts many favela residents would identify over-zealous policing as the greatest problem they face. While not without its moments, Enemy just tries too hard for respectability. For series fans, it opens tomorrow (11/11) in New York at the AMC Empire.