The revolution that nearly was, was not televised in Iran. However, it was recorded on twitter, blogs, and cell phone cameras. Based on the blog entries of real Iranians, Wave gives a voice to those whom the government silenced, telling their stories with animation stylistically similar to that of Ari Folman’s Waltz with Bashir. Each POV character had previously given up on politics, yet the candidacy of Mir Hossein Mousavi inspired them to reengage with the political process.
Adopting green as their official color, they campaigned with a hopeful fervor reinforced by polls showing a landslide victory for their candidate. Then on Election Day the predictable reports of “irregularities” began, culminating in a government blackout of the media and the inevitable announcement of Ahmadinejad’s dubious re-election. Outraged but feeling empowered, the Green activists took the streets in protest. Wave pulls no punches documenting the brutal suppression that followed.
Yes, in many ways Mousavi is a problematic figure, who had been handpicked by the ruling establishment to serve as Ahmadinejad’s opponent. While his stance towards Israel might not have been appreciably different, he embraced the Green platform of liberalization. He also had the virtue of not holding a messianic complex, unlike his chief rival.
Wave is a very well constructed film, integrating strikingly dramatic animation well suited to representing the abject brutality of the Iranian government with eye-witness video shot on handheld devices. As a result, no one watching the film can possibly question whether these abuses really did happen. Further bolstering the case, Ahadi includes some moving testimony from survivors of the government’s orchestrated attacks amongst his talking head interviews. Perhaps the most chilling animated testimony though, comes from a militia man who considers himself most likely damned (in the eternal sense) for his actions in the crackdown.
