Book of Joshua: Walls of Jericho

It was produced by entirely different creative team, but this film could be considered a sequel to The Prince of Egypt. In that film, the Red Sea was parted. This time around, the Jordan River receives similar divine intervention. As the Israelites follow Moses to the Promised Land, they constantly offer peace to the Amorites, who prefer to wage war instead. Yet, the Israelites are much harder to kill than their enemies expect in Tony Goss’s animated Biblical epic, Book of Joshua: Walls of Jericho, which releases tomorrow on VOD.

Considerable time has passed since the Red Sea, but the Israelites still feed on the manna from Heaven. They must soon face “King” Sihon, but they are well-prepared for his forces, despite their dramatically smaller numbers. Obviously, Moses has access to the ultimate intelligence source. Plus, Rahab has her own insights on the cruel king Sihon.

Forced to watch Sihon torturing the Israelite emissaries, Rahab tried to intercede on their behalf and carried the survivor back to the Israeli encampment. Ironically, the faith they displayed under extreme duress inspires Rahab to open her heart to the Israelites’ God. Consequently, she will be there to help when Moses and Joshua, his designated successor, approach the hostile walled city of Jericho, where she lives.

Frankly, there are more ancient battle scenes in Goss’s Book of Joshua than Braveheart and Gladiator combined. King Sihon, King Og, and the King of Jericho all look at the Israelites and see a band of weak former Egyptian slaves. How little they know—and how little things change.

Admittedly, the character animation is only a few steps above 1970s Saturday morning cartoons. However, the background art team also create some impressively cinematic Jericho visuals. Yet, the film’s greatest strengths come from the way Doss and screenwriter-producer Amir Kovacs establish the personas of Rahab and her family. In fact, they build a great deal of suspense regarding their safety in the wicked city of Jericho.

Wes Anderson’s The Phoenician Scheme

It was one of Alexander the Great’s first conquests, but Zsa Zsa Korda has a plan to make Phoenicia great again. It is really more of a scheme. Frankly, Alexander probably would not recognize this Phenicia, because it exists solely in the world of Wes Anderson, but, be that as it may, they stand to gain from a massive infrastructure upgrade that would concurrently line Korda’s pockets. However, he must survive constant assassination attempts and figure out how to cover a funding gap that does not involve his own funds in Anderson’s The Phoenician Scheme, which opens this Friday in theaters nationwide

With a name like Zsa Zsa Korda, he must be Hungarian, but Korda is a man without a country—and certainly no tax returns. Korda is an arms dealer and financier very much like Orson Welles’ Mr. Arkadin. Somehow, he convinced his syndicate and cartel conies kick into his Phoenician development scheme, but he is a little short, so he needs all his gangster buddies to kick in more—for the same return.

Obviously, this will be a tough sell, so Korda brings along his daughter, a novitiate nun Liesl, whom he designated his sole heir and successor after surviving the latest assassination attempt. She is rather appalled by his sinful ways, but recognizes an opportunity to do good through Korda’s organization—despite the arms-dealing and slave labor on which the Phoenician construction projects depend.

As you would expect from Anderson’s films, the film’s 1950s art design is charming (and less precious than some of his recent output). However, the episodic nature of Anderson and Roman Coppola’s narrative quickly grows repetitive.

Yet, the father-daughter relationship appealingly anchors the film. To his credit, Anderson refreshingly embraces good old-fashioned sentimentality and shuns cynicism. The Phoenician Scheme is another good example of that. Perhaps most tellingly, he never condemns Sister Liesl for her Catholic faith. Rather, he uses it to pass judgement on Korda’s rogue’s gallery of criminal associates.

Most of the fun of Phoenician Scheme comes from gawking at the very famous ensemble acting very goofy. Ironically, Andrson extracts the most humor from Benicio del Toro’s performance, even though he plays it scrupulously straight. Nevertheless, his extreme poker face pairs well with the vast array of injuries he endures from each successive assassination attempt.

Michael Cena also shows unusual restraint as Bjorn Lund, the tutor forced to serve as Korda’s confidential secretary, despite the obvious risks. However, nobody is more deadpan than Mia Threapleton as Sister Liesl. All that reserve from the main cast leaves plenty of room for Tom Hanks, Bryan Cranston, Mathieu Amalric, Jeffrey Wright, and Benedict Cumberbatch to chew the scenery in the Around the World in 80 Days-esque appearances.