
In each film certain themes develop. While in To Estonia, Přibyl focused on the experiences of women, in Poland there is an emphasis on surviving by one’s wits, particularly through masquerade and assumed identity. Indeed, two survivors discuss in great detail how they were able to escape from their camps and pass for Polish.
Jan Osers story seems especially ripe for cinematic adaptation. Uncircumcised, once he escaped, he had an obvious advantage that often made the difference between spending a few days in jail for vagrancy or returning to a concentration camp. An expressive storyteller, his interview segments are easily the highlights of Přibyl’s Polish installment.
Painstakingly researched and assembled, the Transports project boasts a wealth of rare photos and historical documents that recreate the period quite effectively. The films are also nicely complimented by interesting but never overbearing scores composed by Petr Ostrouchov (a lawyer by v

The stories Přibyl preserves are both historically important and fascinating examples of human perseverance. One would eventually like to see the entire series available to a mass audience through PBS and on DVD for school collections. While Poland also screened at this year’s New York Jewish Film Festival, two Transports films made their New York debut at the Lynch Theater last night. Hopefully, they will also return for further festival engagements, because they are too valuable not to revisit.